The Renaissance Connection Art Explorer
Art Explorer  |  Innovations 1400-2020  |  Patron of the Arts  |  The Artist's Life  |  Lesson Plans
 

Explore By:  Timeline  |  Explore by Country  |  Alphabetical List

Netherlandish Master
Portrait of a Lady
Theme: Exploration/Trade
About 1525
Netherlandish
Oil on panel
13 3/4 x 10 3/8 inches
Samuel H. Kress Collection (1961.050)
 
Illustration of similar dressJean Jacques BoissardHabitus Variarum Orbis Gentium (Costume of the Various Peoples of the World)1581France, 1528-98, Ink on paper with gouache, watercolor, and goldGift of the 1994 Collectors CommitteePhotograph (c) 2003 Museum Associates/LACMA
Illustration of similar dress

Jean Jacques Boissard
Habitus Variarum Orbis Gentium (Costume of the Various Peoples of the World)
1581
France, 1528-98, Ink on paper with gouache, watercolor, and gold
Gift of the 1994 Collectors Committee

Photograph (c) 2003 Museum Associates/LACMA

Enlarge
Renaissance women spent hours plucking hair from their foreheads and the sides of their faces to achieve a high forehead, which was considered fashionable. They pulled their remaining hair into a tight bun or braid and covered their heads with some kind of headdress. A woman's hair and headdress were one of the most varied aspects of female fashion. Women's clothing changed in necklines, waists and sleeves but overall remained the same during most of the Renaissance. A camicia or underdress was worn next to the body, with a dress fitting smoothly over the shoulders and belted. The underdress was often visible as part of the outer dress. In this portrait, it can be seen at the neckline and sleeves.


<< Back

Home | For Teachers | More Resources | Glossary | About This Site | AAM Home | Flash Version